Showing posts with label outdoor. Show all posts
Showing posts with label outdoor. Show all posts

Emptyful Sculpture, Winnipeg

Sunday, October 21, 2012 at 8:57 PM


Artist Bill Pechet has collaborated with lighting co-designer Chris Pekar of Lightworks and Lumenpulse to create the 35-foot-tall, 31-foot-wide “Emptyful” sculpture in the Millennium Library Plaza in Winnipeg, Canada.



“Lighting for ‘Emptyful’ had to be slender, discreet and powerful,” says Pechet. “We brought Lumenpulse into the process early and designed the beam with their fixtures in mind.” A total of 28 Lumenfacade color-changing LED luminaires are secured on each side of an H-beam, half pointing up to accent the fog, and half pointing down to light a curtain of water cascading down into a 500-gallon tank below.



The stunning effect has mesmerized hundreds of people who have come to visit the piece. “It was influenced by the phenomenon of weather and human endeavor,” Pechet says. “When you first visit Winnipeg, it can appear empty and open, set amidst the vastness of prairie and sky. But within, the city is full of creative energy.”

The color-changing luminaires are set to 18 summer and 9 winter sequences, and each lasts for one to two minutes. Lumenpulse’s Lumenfacade RGB fixtures are designed for grazing or floodlighting exterior surfaces with color.





Installation "Quattro punti per una torre", Milan

Monday, June 18, 2012 at 11:12 PM



Luminous Field lights up Millennium Park

Monday, February 27, 2012 at 12:46 AM


If you like your public art with a dash of neon and a sci-fi aesthetic, then you’ll like what multimedia designers LuftWerk have done to Anish Kapoor‘s Cloud Gate sculpture (nicknamed The Bean), which resides in Chicago’s Millennium Park. This shiny alien bean consists of 168 stainless steel plates that gleam out at the citizens of the Windy City. It looks like the sort of structure that, if you prod it, will make some hydraulic hisses before opening up and firing plasma bolts onto fleeing humans.



That being the case, it’s the perfect canvas for LuftWerk to project a light and sound installation, which they’ve called Luminous Field, turning this Cloud Gate into a visual effect from Close Encounters of the Third Kind. The neon geometric forms and colored grids were created using 10 projectors that were used to generate the visual feast, set to music by Owen Clayton Condon of Third Coast Percussion.



Because of the highly polished, liquid mercury appearance of the sculpture, the light show turns it into something that looks like a star gate to another dimension.













Tori Tori Restaurant, Mexico City

Wednesday, November 30, 2011 at 12:04 AM

Considered one of the best Japanese restaurants in Mexico City and due to its remarkable success, Tori-Tori is now moving to a bigger location in the same area of Polanco, Mexico City, where Architect Michel Rojkind and Industrial Designer Hector Esrawe teamed up to make it happen. At the residential area in Polanco that has seen changes in its zoning, houses have been transformed to office spaces or restaurants.



Sometimes things happen so unnoticeably, that just a small sign appears where a new space has been developed with a completely different program inside, while preserving its exterior. Aware of this, Rojkind and Esrawe wanted to give enough strength to the new program that they proposed to transform the space inside out. Taking advantage of the plot’s conditions, the parking space will be left where it is, to use the budget mainly for restructuring and renovating the house, stripping the residential interior and removing all familiar features to produce an entirely different environment.



Although the client’s requirements were oriented towards a Japanese interpretation, it was not literal, he wanted the place to have its own personal expression, contemporary and cosmopolitan, by enhancing its spatial existing conditions through different experiences, the new range of open spaces, its terraces, its sake bar and its own exclusive temple oriented to the highly demanding sushi lovers.



Maintaining a very intimate and subtle feel towards the first encounter with the exterior, once you enter you’ll find yourself in a terrace, where eating and drinking are embraced by natural vegetation. The building’s organic façade and landscape were carefully designed to become an extension of the restaurant creating a strong relationship between the inside and the outside.



The interior receives and follows the exterior with subtle contrasts. Each room has its own nature and shows a clear relationship with its function. The furniture was inspired and made for Tori Tori and developed with a direct orientation through each space. During more than eight months a complete collection of chairs and tables where created, for both exterior and interior use.




‘We seek in the project a chance for the users to link with the different ambiances and choose their favorites. Each space’s materials, setup and characteristics towards the furniture generate a wide spectrum of options and sensations for its assiduous clients.’ I.D. Héctor Esrawe, ESRAWE studio



The Façade, which seems to emerge from the ground climbing up through the building, as if mimicking the natural ivy surrounding the retaining walls, is made up of two self-supporting layers of steel plates cut with a CNC machine and handcrafted to exact specifications. The facade’s pattern responds to the inside openings, filtering light, shadows, and views that will constantly invade the interior spaces. An atmosphere enriched by the spectrum of subtle changes.






Spinnaker Tower

Friday, August 26, 2011 at 3:06 PM

Soaring 170 metres above Portsmouth Harbour and the Solent, the Spinnaker Tower is taller than the London Eye, Blackpool Tower and Big Ben and has already established itself as a national icon for Britain.
A world class visitor attraction, the much-admired, elegant viewing Tower stands proud over one of the most fascinating seascapes in the world. Situated on the waterfront at Gunwharf Quays, it offers amazing 350º panoramic views of Portsmouth Harbour, the South coast and the Isle of Wight, with views stretching out for up to 23 miles – breathtaking by day and a glittering sea of lights by night.



Obstruction warning lights:
There are 7 obstruction warning lights situated on the Tower, from 80m upwards, 1 at the top of the spire (170m), 1 on the northern side of the Tower at 117m, 2 at 115m on the eastern and western sides of the Tower and 3 at 80m on the eastern, western and northern sides of the Tower. These are the red lights that can be seen from all around the area and above - these lights never change colour! The lights are LED's, last approximately 15 years and automatically turn on and off.

Feature Lighting

The feature lighting illuminates the base of the Tower, including the back, bottom of the bows and either side and bottom of the legs. These lights are white. This system is used alongside the show lighting system every day.

Show Lighting

The show lighting are the lights what can control to change the colour the Tower is illuminated. These are the lights we are referring to when we say 'illuminating the Tower'. They cannot be seen from as far away due to the nature of the lamps/light fittings used.
The show lighting system is produced by a combination of 50 Martin 200 and 600 lights; 24 at the bottom of the Tower that illuminate the cruciform (the bit where the bows cross) and upwards 16 on the ribs (1 at each end of the 8 main ribs) 6 internal lights (2 on each of the View Decks) 4 above the Crow's Nest



The lamps inside the light fittings are metal halide, these are changed approximately every 18 months, and it takes roughly 2 - 4 weeks to change them all. The internal lights are easier to change than the external lights which involves abseilers and engineers raising and lowering lamps to/from our roof terrace. The 50 lights can be programmed individually, grouped to top, middle and bottom or all programmed the same colour. The lighting system can be programable to change alongside different factors such as tide, wind and time.






Source: spinnakertower.co.uk
Architect: Scott Wison
Lighting Design: Equation Lighting Design Ltd 

Field of Light

Sunday, July 17, 2011 at 7:07 PM
To see yourself on an alien planet, you need go no farther than Cornwall, England. That’s where lighting designer Bruce Munro has placed his outdoor installation, “Field of Light.” Thousands of fiber optic cables topped with acrylic orbs illuminate the countryside, giving the impression that the field is populated with bioluminescent vegetation from another world.